Iedro locates pianist in a performance position between standing and seating. Its title is polyhedron's apheresis (from greek poly/many and edros/faces or bases). These sonic faces form a common lyric continuum locating it also in a interstitial space between the extent of sound without a teleological feature set and points of intersection where it can be settled expressive arches ever changing depending on the particular resonance of each instrument and player's body position. It was composed in late 2009 in Buenos Aires.
Oct 11, 2010
nota di programma